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    February 12, 2008

    One very long day, finally

    When I started the AUPN just over a year ago (we launched officially in March, but started in the previous November with logistics) I was really sure that Apple's Aperture was going to go great places.

    Don't get me wrong, I love the hell out of Aperture but like a lot of photographers I wanted to see the program evolve.

    Unlike a lot of photographers though I had the chance to work with people at Apple I now get to call friends, and help with the development of the program.

    That all paid off today when Aperture 2 launched. After months of being on NDA (non disclosure agreement) about the beta program, we got to tell everyone about the program.

    At 8:30am today EST the program went live on Apple's site. That started our barrage of posts and screencasts. We were really the only outlet that was afforded advanced notice, so we had the time to develop tons of material.

    Things went off very well. I'd rendered movies all night long and uploaded them in the AM. My content was exported and ready to upload right when the application shipped. Within three minutes of announcement we had several articles up. About 10 mins later our ApertureRoadTour.com and ApertureIntensives.com sites went up.

    The site's really picked up activity-wise today. Many of our threads are multi-pages long. We've just picked up several new sponsors for our Aperture Road Tour and Aperture Intensives classes (yay).

    Long day. I'm exhausted and going to bed. But this caps off three weeks of solid, no break work that caps off a year of work.

    I'm going to sleep well.

    January 27, 2008

    So swamped

    I am really, really swamped right now. It''s a good sort of swamped—not in an "Army Corps of Engineers built me a shitty levee system" way—with work projects.

    I've been generating some content for upcoming seminar tours and so far I've written about 10,000 words this week. We're trying hard to launch some new programs around the PMA trade show, which I am thankfully not attending as I can't stand where it's being held.

    "What happens in Vegas can go fuck itself," as the ads say. No, wait. Maybe that's "Vegas: What's that burning smell?" data.jpeg

    Back to life. I like being busy, though I'm up against a bit of a deadline and that's why I'm so swamped. Naturally the way that I'm wired I'm unlikely to do any work until a deadline looms anyhow, so this is just business as usual.

    I've also had someone else interested in helping us look for a bit of capital contact me, which is nice. It's a good feeling building something that people think has a lot of potential. Never can tell where these lead, but it's nice to go down these roads.

    August 24, 2007

    A night on the town (subtitle: Toro, Toro, Toro, continuted)

    Now that Nikon has taken the wraps off the D3 and D300 cameras, I can finally mention that I'm out in Tokyo on a press event to celebrate the launch, which is why I've been so thoroughly wined and dined (sake'd and sushi'd) over the last few days.

    It's a bit hard to remember how the night started, but it really hasn't ended yet, nearly 24 hours later.

    The group of assembled media and PR people headed out for a ten-course menu at a upscale restaurant in the upscale financial section of this upscale city. I'm pretty sure that I won some sort of status for being the guy who ate everything served. I'll post the menu better, but it did involve the word entrails, and one dish was served nestled between the recently-severed head of a fish.

    The plan for the morning was to head over to the Tajiki fish market, the Blade Runner of fish markets (or for the non-sci-fi among you, the Fulton Fish Market multiplied by an insane asylum), a massively sprawling complex that supplies nearly all of the fish for the metropolis each day. Boats arrive from all over Japan, the Pacific, Australia and even the US and South America with fish for auction, sale and distribution. The central attraction of the market is the Tuna auction, where purveyors gather each day to bid on massive quantities of frozen seafood.

    After the rib-stuffing meal of delicate and precisely presented food at the restaurant, my original plan was to get some sleep and get up at 4:30 to join the 5:00am group headed to the market, but instead five of us headed out to Ripponji, the Times Square-ish section of Tokyo—if Times Square still had hookers. Hookers that swarmed you and offered to give you a "free preview." More on that detail in a bit.

    Jay DeFoore, a former PDNer had a friend in town, a crazy photographer-American named Monty who we were to meet at the Grand Hyatt hotel, and it was Jay's idea to go out "for a few beers."

    Now, I'm not really painting the picture well enough. Our hotel, Le Meridian Grand Pacific has been providing us vehicles for tours and trips around this city. Last night, they provided us with a stretch-limo. It's probably an understatement to say that there are few limos in Tokyo, and it would not be incorrect to say that the length of the car exceeds the length of many homes in this city.

    So we pull up to Monty's hotel and find him in the lobby with an ex-pat friend who has worked for Morgan Stanley here for thirteen years. Temporarily leaving our driver Roy and his collection of Eric Clapton bootleg concert DVDs behind in the limo, we head out for a bar.

    Monty leads us shakily, loudly and already a bit drunk to a bar stocked with great wine, beer and hard booze. It was probably 11pm at this point and we downed a few drinks and beers while Monte, sotto vocce detailed the Japanese expression for something that's prohibited, a crossing of the arms at the forearms into an "x", which Monty embellished with the sound "boooonnnngggg" to further highlight the message inherent in the gesture. He had been bonged earlier in the evening while trying to get into a club.

    After a few beers we decided to look for more happening action, and so back to our limo we headed to the seedier main strip in Ripponji, which was dutifully seedier. As we stepped out of our limo, (which finds parking accomidations simply by stopping on the right most lane and turning on the hazard lights) women snapped pictures of us on their camera phones. Kevin, one of the PR folks told the woman that he was World Fighting Champion.

    Several hookers approached smelling the blood in the water. They surrounded each of us in turn offering us "free samples," and asking us to come with them. We demurred—the souvenirs I plan to bring home from Tokyo should not require antibiotics to treat—and tried to find a bar that Monty assured us would be the coolest thing ever. Tucked on a back street next to Hard Rock Tokyo (yawn) was a small bar that has had the same non-English speaking band for more than two decades, pumping out cover tunes every night.

    Every night expect this night it seemed, since the bar was shut closed. Booonggggggg.

    Monty tried to get into a club next to our club, where a very confused looking Japanese bouncer tried to explain to us that the bar was not taking Gaijin. He found someone else who explained first that the bar, with airplane-engine-decible music blasting from behind the closed doors, was closed. Then they explained it was closed to us. Monty was not having any of it, as the teenager tried to say that this was a members-only club. I tried to convince Monty that the membership couldn't be bought, it was in fact membership in the Japanese race. We departed.

    Several super-bouncer sized African-Japanse (is that the politically correct term?) men tried to get us to head to their bars, giving us cards and offering us "free titty squeeze". As super-awesometacular as that sounded it wasn't really what we were in the mood for. Monty replied "thanks, man, but I have pussy at home." I'm not sure why Americans are seen as being brusk, but it was damned funny in context.

    A passing Argentine told us to go to a bar on the lower section of one of the buildings, and we took him up on it, worried that we'd stumbled into somewhere that was going to harvest our organs. It seemed too good to have a bar that offered a ¥500 drink ($5) of anything on the menu for our first drink. The fluent Philapino-Japanese waitress Victoria was utterly fluent in English, Japanese and Tagalong. She was also rather cute, and brought us drinks quickly and with a smile. We still thought we might be killed at any moment, although it seemed that we were actually just at a really nice casual bar. The free laptop access for customers (with the laptop not locked down) and the free pool table finally eased our fears, but we moved onto another place lest they end up needing a spare kidney in the barback.

    Monty had snuck out and found us a nice cozy (smoky-as-hell) bar with a few Japanese-Japanese and some relatively cheep beer. We played some pool and darts with the locals (beating them handily at pool thanks to them scratching both on the break and on the eight-ball, and continuing to play as they tried to convince us that neither of those are game-losing moves in Japan. Uh huh.

    We also played some Foosball, and it turns out that Jay's a ringer. We slapped down the PR guys twice, gaining much prestige for Team Awesome.

    At about 4am we decided it was time to head home, so we tracked down Roy and suffered a long drive while a pirated Don Henley concert played on the tv in the limo. Don Henley suXxor. Roy was great, taking us anywhere we wanted to go, and I proclaimed "Roy is my Shogun!" which I think is a handy (and more PC) translation of "Roy is my home boy'" (or, more correctly but still incorrectly using the N word).

    We strode into the hotel lobby as the newly-awake Nikon PR team waited for media folks to come downstairs to go to the fish market. They saw us coming in, having been up all night and said "you guys are rockstars."

    In true Rockstar fashion, Kevin and I ran to our rooms, switched into shorts and headed back downstairs. A chocolate-croissant provided by PR steeled our resolve and we pushed on to the market.

    There's no real way to explain what it's like. In every direction a flow of people run around, drive around, cary fish around. It's insane. The closest I can come is the scene in Fifth Element where the stream of flying cars whiz by in every direction, spinning people around, almost killing them constantly.

    Diesel powered, most of the carts at the market are driven by using a large pressure-senstive wheel on the top of a giant drum-shaped engine. They pivot on a dime, pass by each other with mere inches between them. I was almost killed a good dozen times or more. Probably a lot more. As these vehicles wheeled past I sort of started to space out. The colors, sound and noise were too much. Half-a-dozen of us took pictures all over the market.

    We shot the Tuna auction where flash-frozen tuna created swirling pools of fog inches above the floor and men with hooks poked and prodded the massive fish in order to assess its quality. Standing on benches men shout out the number of each fish and its price, selling it to the highest bidder. Single fish (more than 6 feet long) are worth thousands.

    In other sections we watched fish get dispatched in every possible manor. Heads were partially chopped off as the massive fish bled-out. Some were filleted quickly and precisely while staked down to tables. Things get worse, and since some of you are a bit squeemish, I'll skip some of the more graphic details.

    I was both disgusted and very hungry at the same time.

    Our reverse-ex-patriot Japanese guide (by which I mean he is Japanese and lived in the US for decades) guided us over to the small row of shops lining the market where the workers eat after their shift. Rain started to trickle and then picked up to a steady drenching as we stood under an overhang and waited for some of our group to get their return to the hotel sorted out. Most didn't want to have sushi for breakfast, but Kevin and I, still drunk, were dying for good sushi.

    And good sushi we got. In fact, the shop that Kazz, our guide picked had the best sushi I've ever had, ever. Small (only ten seats at a bar) and intimate, it made the fish at places like Nobu, Monster and other places look like what you get from the grocery store. We started with a twelve-piece order but then continued to order more and more. Sea urchin that dissolved on the tongue. Eel with a homemade sauce on it that was perfect. Each piece had a killer umame. Kazz asked a stream of questions of the owner, a woman who told us that she opened the shop more than seventeen years ago, and has been a wholesale fish distributor for thirty-five years.

    Our final piece was called Dancing Shrimp (Danielle, you might want to stop reading now) which is made by taking a live shrimp and parboiling it for a moment, taking the head and the shell off, and presenting it to eat. Perfect. Wonderful. Technically alive.

    For those thinking of coming to Tokyo, do it. Find a reason to come here. Find a local though to be your guide, because we wouldn't have gotten that experience without someone to act as the social lubricant (as the guidebooks I have keep saying) to a society that's thousands of years old and astoundingly amazing. And I'd never have had the best sushi on earth.

    February 19, 2007

    Climbing the Hill


    Climbing the hill, originally uploaded by davidjschloss.

    I'm in California working on something for the new project I'm rolling out in March (I still can't talk about it officially until all the papers are signed) and I'm having an interestingly great time.

    Years ago I launched a dot com, an online publishing company that was centered around a mountain biking website that was launched very early in the dawn of the 'Net. For a long time I spent my warm-weather weeks driving or flying to mountain bike races all over the continent and reporting on them in real-time. The site was called GearHead.com, (later sold to a bunch of asses) and we were one of the first sites to ever to live race reporting, and we pioneered things like getting digital photographs up to servers from dial-up lines in West Virginia.

    Yesterday I landed in San Francisco with Wil, my friend/coworker and we set out to the city to prepare to do some race coverage and media support and suddenly I was transported back a decade to the days when I'd travel with the media caravan from town to town, taking over an area for a few days and moving on.

    This trip so far has been strangely emotional for me. It's great to be launching a new part of my life with cycling as the backdrop (and indeed I chose this race because it fits both into my new job and into my favorite activity) and I've fallen right back into the fold. There have also been some nice perks.

    Yesterday, for example, I had the privilege of having dinner with the famous photographer Graham Watson and Darach McQuaid (brother of UCI president Pat) at a great restaurant where we downed a good bit of wine. This morning I got up to head over to get credentials and hit the course, shooting from the starting block and then catching a ride in one of the team cars up the hill to Coit Tower to walk up the remaining 800 meters to the finish. Some great vantage points, although the misfiring shutter on my camera is really causing me some issues. (I can't shoot above 1/500th of a second).

    Not everything is cycling though. On the way back from Coit Tower, I passed by a woman sitting at the Fog City Diner having a meal who was applying makeup from a gigantic compact with the words "Lauren Hutton" on it. It was a truly large compact, the largest I'd ever seen and in fact I'd say it was pushing the boundary of the very term. Then I glanced up to see what sort of woman would be applying makeup from such a large object, and realized it was actually Lauren Hutton.

    Yesterday, Wil and I were out walking to dinner when we stumbled upon several dozen of the wild parrots of Telegraph Hill, out for a jaunt, I suppose, away from their famous perch. A few dozen people were hanging out around the trees, many with food for the birds, including apples on long sticks, nuts, and more. The parrots, hung from trees, landed on shoulders, dropped onto people's heads, etc. It was really a surreal and beautiful experience. Dozens of people astounded by the colorful birds that just happened to be in a park in the middle of a city.

    It's a terrific trip so far and bodes well for the rest of what I've got planned for the next years of my life. More on that in March.

    March 03, 2006

    The Eyes Do Not Have It

    l2056a_150
    I just received a(n) HP R927 point and shoot digital camera for review. I'm a big fan of HP digital cameras, they had one I tested years ago I fell in love with. It had an easy-setup panorama mode and I did several really nice panoramas with it during bike trips. I have one shot, a view of the French city Gourdes done with it that I've printed at more than eight-feet across, and it's just great.

    This new HP feels like it's going to be a great follow up to that camera, though it follows in their tradition of "no camera is too heavy" design. I guess it takes a lot of inner workings to stuff 8.2 megapixel inside a camera body, but it does feel very dense. This will not be the camera I grab to stuff in my jersey pocket when cycling. (And a big sticker on the back reminds me not to sit on it. Which is good, as I destroyed the last HP I had by walking into a big pedestrian barrier-the kind shaped like barber poles-in Paris.)

    The point of all this though is just to mention how dissatisfied I am with the lack of optical viewfinders in point-and-shoot cameras. This has been a strange catch-22. When point-and-shoot digitals (I hesitate to write POS, for obvious reasons) came out, they had terrible optical viewfinders. As a result, people started to hold them at arm's length and focus with the LCD screen on the back. So companies made the screens bigger, and didn't fix the issues with the optical viewfinder, so people kept holding out the camera at arm's length.

    Now we have a world in which cameras don't have a way to compose a scene without looking at the viewfinder. This leads to a few problems. It's almost impossible to hand-hold a nice long landscape shot without holding the camera to one's face for stabilization. This is fine for quick snapshots, but holding out a camera often results in a shaky blurry photo. (So many companies are adding high-ISO shooting and optical stabilizes, to compensate for the lack of a viewfinder, which would have cost less than the screen and the stabilization hardware.

    Anyhow, as much as I think I'm going to love this camera, I resent not having a lcd-free way to compose my images, and I resent the fact that that, increasingly will make me seem to be one of the old fuddy-duddies that just curse at newfangled inventions, bemoaning the kids with their Pong and drinking my juice of dried plums.

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